这是一部关于成长的电影。著名作家戈迪（理查德•德莱福斯 Richard Dreyfuss 饰）回忆起他12岁时的一次冒险活动：影视当时，影视年少的戈迪（威尔•惠顿 Wil Wheaton 饰）与他的三个小伙伴克里斯（瑞凡•菲尼克斯 River Phoenix 饰）、泰迪（科里•费尔德曼 Corey Feldman 饰）和维恩为了当一回“英雄”去河的对岸的森林里寻找一具12岁男孩的尸体。4个少年家庭各有问题，他们都有自己的心事。在旅程中每个人的性格都被体现得淋漓尽致：四个男孩性格中的软弱和坚强，在闪火车，翻铁门，越森林等一系列的行动中被最大限度的放大；每个人都有自己可望而不可及的梦想……1987年金球奖最佳电影、最佳导演提名，1987年奥斯卡奖最佳编剧提名
李智秀
回复 :富商马裕章（张国柱饰）有意竞选议员，而友人建议已婚身份会对议员身份有帮助，于是开始对模特儿天娜（徐淑媛饰）展开热烈追求。婚后马裕章以工作繁忙和天娜展开无性生活。由于婚后天娜一直闲置在家，马听其助手建议替天娜开设模特儿训练中心，希望藉由工作能降低天娜在房事要求，但天娜在一次无意间发现马没有性生活原因竟是同性恋者。这时模特儿训练中心阿sam（汤镇宗饰）对天娜表达爱意随即发生关系，马得知后买凶杀人。天娜得知阿sam死亡找记者揭露马为同性恋者，同时间马和助手便举枪自杀。1985年杨权执导《现代豪放女》乃挑战尺度艳情之作，本片当年甫一推出，实时成为城中热门话题。由台湾女星徐淑媛、韩国艳星玄智慧、张国柱和汤镇宗主演。徐淑媛初挑大梁，演出大胆性感，不愧为新一代影坛尤物。电影的桥段是偷情，徐淑媛主演富商的妻子模天娜，因受不住年轻男子阿森的挑逗，而发生了性关系。後来，富商知道了奸情之後便顾杀手杀害了奸夫。《现代豪放女》在当年是卖座的电影，这套电影除了性感和偷情的元素之外，焦点是韩国女星玄智慧的惊艳客串。玄智慧主演的电影有《娶错老婆投错胎》、《惊天龙虎豹》、《处女降》、《堂口故事》、《现代豪放女》和《种鬼》。片中女主角徐淑媛性感美艳，在电影中展现艳女形象；她亦曾为成人杂志《花花公子》当模特儿，最後九十年代末远嫁至美国而息影。
范冰冰
回复 :一个陷于困境的好莱坞制片人拿着《安娜卡列尼娜》的剧本去希腊小岛说服隐居的大明星费多拉出演——她以青春永驻的容貌创造了神话。然而制片人却发现费多拉被她的医生以及密友伯爵夫人近似虐待般囚禁，他想方设法帮助费多拉逃离小岛…………
庾澄庆
回复 :The history of Danish country church architecture is told by showing scenes of how the church was used by the congregation, beginning with the celebration of mass in a small and simple wooden church 800 years ago, and ending with the congregation singing in a village church of to-day. The development and the growth of the pattern of church architecture is shown.Dreyer in this film shows a series of churches from different periods with churchgoers in period clothing. Each period is separated by a shot of a church bell double-exposed on the sky. Although the film has a vibrant and instructive way of communicating the different epochs and styles to students, it does not exhibit the artistic quality that usually distinguishes a Dreyer film, except perhaps in some of the costumes, which were originally made for Day of Wrath.The board of Dansk Kulturfilm in autumn 1945 decided that their planned church film would exclusively be about village churches. Dreyer would rework the script that was written by editor and folk high-school principal Bernhard Jensen, aided by a committee of experts consisting of architect H. Lønborg-Jensen and Victor Hermansen, curator at the National Museum of Denmark. Dreyer had a first draft ready in mid-March, entitled Kirken er et gammelt Hus ("The Church Is an Old House"), which was distributed to the members of the committee for their comments.In the last half of July, Dreyer and Victor Hermansen travelled the country to look at suitable churches. They researched the details and at Dreyer’s request a number of technical changes were made to the churches, including the removal of porcelain holders for electrical wiring in Tveje Merløse Church.On 4 July, Dreyer went in advance to Ringkøbing. Shooting was set to start a few days later with the arrival of the director of photography, Preben Frank, who had fallen off a ladder and broken his leg, Fortunately, he was ready to cautiously start working again within a few days, with his leg in a cast.Otherwise, the production went without a glitch. Everywhere, Dreyer said, they were well received at the vicarages and they had no problem getting enough extras. On 1 august, they returned to Copenhagen with almost all their footage in the can. They only needed to film the church in Skelby, where the weather had been against them, plus a Swedish wooden church in Hedared. The economy was distressed so soon after the war, especially when it came to foreign currency, but there were no real wooden churches left in Denmark and building an interior set in the studio would be too expensive.The finished film was shown for the first time on 24 September 1947 to a small, closed circle, which included the Minister for Ecclesiastical Affairs. In December 1947, as was Dansk Kulturfilm’s standard practice, the film was presented to the press, politicians and others on a programme with four other short films.